Existence changes infinitely. The stacked ridges of the mountain become streams and then waves. The fragments of crashing waves become the universe and parts of the Milky Way. Fragments of the universe become mountains. The high mountain becomes a deep sea, a vast universe. The universe turns into nothing, then becomes a mountain again. The universe turned mountain becomes our mind. Mountains exist within an infinite time and space, continuously changing. The countless overlapping mountains that appear in Beomjun's paintings speak of the possibility of infinite change and uncertainty. The mountain is still flowing somewhere. Beomjun tells stories of life through painting mountains. A single mountain is a single life, a single story, and history. Mountains overlapping and interlocking amidst towering peaks signify infinite stories, life and death, and the infinity of creation and destruction. Beomjun makes the space finite by drawing mountains and creating boundaries in the space that was infinite by not painting anything. Then, he makes the space disappear by filling it with infinitely proliferating mountains in the finite space. This process demonstrates the paradox of a finite space disappearing and returning to infinity. In the erased - filled - space, all that remains is the mind, the infinite universe